In her work, The Writer Got Screwed (but didn't have to), Brooke A. Wharton debunks a few myths surrounding copyright. You might be well served to pick up a copy of the book for the copyright related content alone. One thing she explains is that a writer has copyright in a work the instant an idea is put on paper (or saved in a computer file). That said, she still advises registration, so you may sue for compensation, if necessary.
Writers really must protect themselves. It is not enough protection to hope everyone involved in the big money world of movies will hold to the honor system. In the Hollywood ocean, and even the indie seas, sharks abound! Do not let your work be stolen. Protect yourself!
How do I follow screenplay format?
How do I dream up a movie idea?
How do I obtain representation?
Do I have to move to Hollywood?
How do I make a story believable?
How do I add direction to dialog?
How do I get input on my writing?
How do I stay focused on my writing?
What is important to remember regarding creativity?
How do I get into screenwriting?
Do I need to rewrite after my first draft?
What is the upside of the writer´s life?
How do I keep the audience´s attention?
What will I write for Hollywood?
What shows may educate me about screenwriting?
How do I write shots and camera angles into my scripts?
What is my role as a screenwriter?
What would I offer Hollywood as a screenwriter?
How do I use writing to get into acting?
How do I keep the reader reading?
How do I indicate voiceover, or off screen dialog?
Where can I see movies or shows made from good scripts?
How do I give copyright notice?
How do I keep readers interested?
What festivals should I attend?
Where else can I learn more about screenwriting?
Where can I find exposure for my writing?
An agent has asked me to write a "Blurp/Logline" about my screenplay. What is a Blurp/Logline?
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